Sira Sandberg
Rasterize, Polarize.
Outsource (2015)
Rasterize, Polarize (2014)
Lets talk: period (2014)
Insignificant (2010)
specdracula
Tabula Rasa (2012)
Perpetuum Mobile (2011)
Martha Brecht (2010)
intro
respecto re flecto
Times (2014)
Folie à deux (2011)
plastic fantastic (2010)
who gives a shit,
takes a shit
Dear diary
Love is in the air
Yours truly
Try to get in touch
Things only dipers care about
wildly interesting

Rasterize, Polarize

2014

Our contemporary minds urge to break our world's complexity into digestible slices of comprehension. Our society seems to feel the need to translate everything into exploitable, storable data - into man-made code. From real life objects into vectors, a genome into letters, to a mind into measurable streams. Each and every aspect of our world gets assessed by us: relevant or irrelevant, explained or unexplained. It's a natural filtering mechanism, it's our nature, it's the way we learn but it can also be the building material of self-made limitation. By re-building our environment in man-made code in order to let it calculate assessments for us we're not only outsourcing thinking processes but do also demand a static environment and rely on something that is not able to grow, to correct, short: improve itself. Furthermore, a program is its code and its code is always an incomplete copy of its creators interpretation of a reality.

This side-project was born in 2013 in the course of multiple institutions demanding biometric passport photo. All photo manipulations are based on my own passport photo and built one-on-one after self-portraits that were created by only watching at my mirror image instead of my hand or paper while drawing - so they're what's called ‘completely random’.

Phase I
three prints, each 40 x 52 cm

Rasterize, Polarize

Phase II
passport photo prints, each 3.5 x 4.5 cm

Rasterize, Polarize: passport photos on my desk

Phase III
gif animation (might take some seconds to load)

Rasterize, Polarize: Portrait Collage